Archive by Author

Dorian Concept // Draft Culture

7 Oct

Taken from the Dorian Concept album ‘Joined Ends’ released October 20 2014 on Ninja Tune.

David C. Roy // Wood Kinetics

30 Sep

Each kinetic sculpture is a wooden machine designed to produce interesting patterns. The sculptures move solely by the controlled release of energy from a spring. No other motor, battery or power source is used.

Anyhow, every single piece of his art is a trip:

http://www.woodthatworks.com/

Pinball in Sesam street in 1970 !

23 Sep

Stromae // Quand C’est ? //

16 Sep

Stromae, a genius…

Nicolas Schöffer /

9 Sep

Nicolas Schöffer (1912-1992) was a Hungarian-born French artist. He can be considered as the father of cybernetic art. His career touched on painting, kinetic sculpture, architecture, urbanism, film, TV, and music. Indeed he collaborated on music with Pierre Henry. All of the artistic actions of Schöffer were done in the pursuit of a dynamism in art.

This interest in artistic dynamism was originally initiated by the Cubo-Futurists and then intensified and solidified by the Russian Constructivism artists, such as Naum Gabo, Anton Pevsner, Moholy-Nagy and Ludwig Hirschfeld-Mack. All these artists were concerned with opening up the static three-dimensional sculptural form to a fourth dimension of time and motion. And this was the intention of Schöffer as well.

Schöffer however, coming well after, benefited from cybernetic theories (theories of feedback systems (interactivity) primarily based on the ideas of Norbert Wiener (1894–1964)) in that they suggested to him artistic processes in terms of the organization of the system manifesting it (e.g., the circular causality of feedback-loops). For Schöffer, this enabled cybernetics to elucidate complex artistic relationships from within the work itself.

His CYSP 1 (1956) is considered the first cybernetic sculpture in art history in that it made use of electronic computations as developed by the Philips Company. The sculpture is set on a base mounted on four rollers, which contains the mechanism and the electronic brain. The plates are operated by small motors located under their axis. Photo-electric cells and a microphone built into the sculpture catch all the variations in the fields of color, light intensity and sound intensity. All these changes occasion reactions on the part of the sculpture.

Consequently his kinetic sculptural compositions were able to parallel the work of Warren McCulloch and his adaptation of cybernetics in formulating a creative epistemology concerned with the self-communication within an observer’s psyche and between the psyche and the surrounding environment. This is the primary usefulness of cybernetics in studying the supposed subject/object polarity in terms of artistic experience.

Here is an excerpt of his work:

Galerie 47 – 20th century furniture and decorative arts
Sculpture: Nicolas Schöffer 1968
Music:Pierre Henry “spatiodynamisme I ” 1963

Nicolas Schöffer – Cyspe – 1959

A$AP Rocky [L$D]

2 Sep

You know the “psychedelic transformation” is complete when LSD – first tested on the public during secret government experiments – leaks out into the water table, percolates through countercultures, and establishes itself at last so thoroughly that folks who spell their names with dollar signs write ballads in its honor. Let’s pay respects where due: Kid Cudi got there first with Megaforce’s awesome video for his “Pursuit of Happiness;” the psychedelic urban ballad isn’t totally unprecedented (and, for real: what hip hop is today, hard rock was forty, fifty years ago, and Jimi Hendrix broke the ground for all these cats). But still, it’s testament to just how cozy these United States must be with talking tripping, now that LSD and not Cristal is drug of choice for lubricating “Love x $ex x Dreams.”

A$AP Rocky puts his money where his mouth is with this lovely video, which does its duty as an ad for psychedelic romance, no denying it – and then, hilariously, stops the record to enjoy the bill-collection comedown of the morning after, Rocky rapping in the broken mirror of a much less colorful (but still palatial) room about “I guess the new me is just gonn’ take some gettin’ used to.”

No kidding. He isn’t used to making love songs, but don’t you know, when ego walls get thin enough to see through, what you thought was recreation rears its head as re-creation, and real, cosmic love comes shining through that New-York-driven gangsta-ass machismo. It’s about damn time. About a decade passed in which it seemed that psychedelics might remain forever just another party drug to compliment the GHB and PCP, etc. confused as “drugs,” a single category, by the less-discriminating recipe enumerated in Tech N9ne’s “experience” (not to be confused with Jimi’s) – opposite, but equal to, the “Just Say No” campaign, a “Just Say Yes” to anything that gets you high, no lasting transformation acted on or pointed to or even possible. But maybe something’s shifted in the spirit of the age, where just enough of hip hop – Mos Def, Saul Williams, Joey Bada$$, Kendrick Lamar, Kid Cudi, and many others – has the balls to show its vulnerability. And now, as Rocky says, “Them other drugs just don’t fit me right.” Perhaps we’ve grown up just enough to drop the fronting and explore, and then reveal, the depths of our evolving, questioning, desiring, seeking souls.

There’s always going to be a niche for guns and hos and other adolescent bluster, but it’s looking more and more ridiculous with every passing day. When we’re confronted with the Mystery of Being and open our lives to make more room for it – as seems to be the case for A$AP Rocky – we’re forced to recognize how little nourishment there is in our old games of separation. As Jeff Buckley put it: “There’s no time for hatred – only questions.” A$AP Rocky leaves us wondering as all the pretty colors fade and credits roll…an honest and authentic way to share the open-ended wonder that both LSD the substance, and Love x $ex x Dreams, the great realities of life, bestow on any willing/earnest seeker.

[from: http://revolution.globalish.com/hip-hops-latest-psychedelic-turn-dig-aap-rockys-hopeful-romantic-ld/%5D

250.000.000 particles animated Mandelbulb

26 Aug

Render with Arnold 4.0

The Heliocentrics – Collateral Damage

19 Aug

A runnaway through weird painting //

12 Aug

Bugs Bunny and Daffy Duck are being chased by Elmer Fud and escape into paintings in a museum.

Pala Leda – Janzilker (Animation by Micah Buzan)

5 Aug

Psychedelic and Weird Animation Music Video!

Musician: Pala Leda
Song: Janzilker
Animator: Micah Buzan

Listen to more Pala Leda here: https://m.soundcloud.com/palaleda

Follow Pala Leda: https://m.facebook.com/PalaLeda

I made this over a 2 month period. This animation is my own personal interpretation of the music. Pala Leda told me to just make whatever popped into my imagination, so that’s what I did.

It follows the logic of a dream. One scene was spontaneously animated after the other, yet it’s all connected in a way.

I tried to tell a coherent story with this one. I still have no idea what it’s about ultimately. But I like keeping things open to interpretation. People seek order in the chaos. We see faces in the clouds when there really are none. We’re pattern seeking creatures.

Sometimes I wish things could exist for the sake of existing. There doesn’t have to be a deeper meaning to everything. We know sleep is vital to health, but what functions do dreams actually serve? I have heard a lot of theories for the purpose of dreams, but it all seems more rooted in superstition than empirical evidence.

Again, we create purpose when perhaps there is none. Or maybe the purpose is beyond what are brains are capable of understanding, so our ignorance and conjecture is a defense mechanism against the incomprehensible.

Why is it so hard to admit “I don’t know?” It’s like our species has to know, or at least half-know everything, even if we can’t know.

I don’t smoke drugs.

Follow on Facebook: https://www.facebook.com/MicahBuzanMUSIC

My Music: https://micahbuzan.bandcamp.com/

VIMEO: https://vimeo.com/user37581558

Twitter: https://twitter.com/MIcahBuzan

Patreon: https://www.patreon.com/MicahBuzan

Ask me anything: http://ask.fm/MicahBuzan

I’m am open for freelance work!

Contact: buzanmusic@gmail.com