It’s Captain Stebbing himself, here to take you on a cruise on the seas of psychedelia!
Here, have a bonus video:
http://vimeo.com/69580352
Holographic Circuit I
It’s Captain Stebbing himself, here to take you on a cruise on the seas of psychedelia!
Here, have a bonus video:
http://vimeo.com/69580352
Holographic Circuit I
Nick Cobby illustrated this piano & glitch composition with beautiful greyscale forms generated by Trapcode After Effects plugins.
Gloomy visions from the Hungarian sand animation master.
Quote from Cakó:
I try to reach a little deeper, down to more social aspects in a rather strong, almost political way, just like in Ash, which was darkened by my mother’s death.
He also has an interesting claim:
It is also remarkable that Eastern Europe brings much more exciting films than the Swiss or the Swedish. Because what excitement can there be in welfare and tranquility? On the other hand, the Russians and the Czechs make very good films which are exciting in form, for example, Svankmayer, who I love.
Stephen X. Arthur took 3 years to make this from 80 paintings by Jack Shadbolt.
Kathy Rose did all the drawings upside down and went from the first drawing to the last without key poses and inbetweens.
In the 1980s and 1990s Rose created projection performance pieces (excerpt from Oriental Interplay):
Warning: epilepsy triggers.
Jeff calls the color variation style in this film “psychadelichrome”. Originally published in an NY Times blog.
A retro-aesthetic melange working nicely with the music for evoking a strange nostalgia for things you never experienced.
Very smart and efficient way of using painterly filters. The intentionally rough 3D models are brought to life by the teeming brushstrokes.
Whitney has also directed this quite remarkable alternate reality romp:
http://vimeo.com/67556622
Arduously prepared plasticine delights (not strata-cut).
Making of pics here: http://beckyandjoes.com/tame-impala/