Archive by Author

A message from the present

26 Feb

The partnership between a person and computers in writing literary works – or creating any other works, in all lenses – seemed to me then and still seems to me today both inevitable and exciting.
In some ways, computers, fed into verbal programs, should not be referred to at this stage as more than sophisticated typewriters. But sophisticated typewriters should not be underestimated, with the sophisticated available (including the most elaborate trams), still a frustrating proximity to the stylus and feather, just as the existing motor vehicle, with all its sophistication, is no more than paraphrasing on the wagon.
I believe and hope that in the future we will write more and more on terminals and less and less on typewriters (in pen I stopped writing as early as seventeen) and that more sophisticated verbal programs will be written. Maybe in the not too distant future we will have the option of ticking a line – ticking a page, ticking a page – and ticking a book.
The process of creation was never the same to me as physical work, but to a minimum, to its absolute abolition. What matters is the idea, the model, the flashing, the opening sound, the code.
I always wanted to write mostly ciphers, and to a certain extent I did too. Computer ciphers will be the authors of future transcripts, and we will be the guiding and guiding eye. As with the desirable separation between decision-making processes and the administrative-administrative complexity in management models, so too is an increasingly clear separation between the right decision (which is the act of creation) and its execution. The work will become a work of creation.

[from My Electronic Psychiatrist (1974) by David Avidan]

In Avidan’s spirit, the above is a raw unedited output of Google Translate of the Hebrew source. I was so amazed by Avidan’s prediction/prophecy, that I appropriated some paragraphs as the abstract of my upcoming performance-lecture Electric Hebrew on compter generated/assisted text composition. As this future is happening now, it is only appropriate to conclude with Avidan’s Message from the Future (1985/3005):

 

cocolona / work

19 Feb

»respektive Hila Flashkes«
A mini-retrospective – part III

Hila Flashkes is ‭an Israeli multidisciplinary artist, a puppeteer, performer, stage designer, graphic artist, animator, video artist, polyart.

car-cemetery / wedding

12 Feb

»respektive Hila Flashkes«
A mini-retrospective – part II

Hila Flashkes is ‭an Israeli multidisciplinary artist, a puppeteer, performer, stage designer, graphic artist, animator, video artist, polyart.

sun / dimension

5 Feb

»respektive Hila Flashkes«
A mini-retrospective – part I

Hila Flashkes is ‭an Israeli multidisciplinary artist, a puppeteer, performer, stage designer, graphic artist, animator, video artist, polyart.

Endless Sandwich

29 Jan

If you care anything for new-media art, do yourself a favor and go see the Weibel retrospective at ZKM which is on until 2020-03-08, as well as the historical new-media collection. For me it has been a humbling, awe-filling and possibly artistic-life-changing experience. By the way, everything you ever did or thought of doing or will do,  was already done in the seventies. More on this to come.

“Between TV and viewer there is a function, i.e.: The user switches the device on and off. This function is illustrated and content of the program. A “sandwich”- character of real process and figure process, of reflection and action. In the screen there are viewers seen sitting in front of their TV. In the last picture a disturbance occurs, so that the viewer who watches this scene has to get up, in order to repair the failure. Thus the screen of the next viewer is disturbed. The disturbance reproduces itself, up to the real TV set, so that the real viewer must rise the same way, in order to remove the disturbance. Time delay: The real action is the final point of the reproduced process.” [Peter Weibel]

 

Waiting for something special

22 Jan

I attended Stuttgarter Filmwinter festival this week, where I exhibited my work Pictures of Jap Girls in Synthesis. I was fortunate to meet Animation-Avantgarde-Programmer Thomas Renoldner who participated with his Annie Award (animation “Oscars”) nominated short film DONT KNOW WHAT. He is also a curator of several Austrian and international film events, including the Animation Avantgrade program at the Vienna Shorts film festival (submissions due Jan. 31). As you know, I like to dig out the old stuff:

邪道的な道具の使い方/アイデアの組み合わせ

15 Jan

Takayuki Watanabe aka Kitasenju Design created MEISAI, a body camouflage AR app for iPhone. Music by Rival Consoles. Put together by Gone West.

11B-X-1371

8 Jan

Is it important for you that your art is understood? What value holds an artwork of cryptic aspects with their meaning missed by most of its audience, which only perceive the Peshat and do not seek the Remez, the Derash, and the Sod? Steganography is the practice of hiding messages in the form of a manipulation of open media. On the steganographic spectrum, an artwork can have accessible aesthetic value together with a hidden message its existence known only to the creator, or it can constitute an encrypted message in its whole lacking immediate value to the spectator, but a hint to the existence of the encryption itself. If you plan to be in the vicinity of Tel-Aviv in February-March, I hear that encrypted deep within the new-media opportunities newsletter HaShot! is a residency open call on this theme. One source of inspiration is the bio-terror-level plague-doctor-chic YOUAREALREADYDEAD KILLTHEPRESIDENT conspiracy theory viral video 11B-X-1371:

You may also want to check out Unfavorable Semicircle.

SUNLOVE

1 Jan

If there can be only one video I could to share with you, it would be Jean-Jacques Lebel’s 1967 30-minute “Sun Love”. A crazy voodoo-level pagan surrealistic experience. Unfortunately, I was never able to find a digital copy. I was exposed to artist-activist Lebel in Centre Pompidou’s retrospective a couple of years back. And as you might have guessed, I became somewhat obsessive about it. When I shall get my hands on the footage, I will generatively machine learn the hell out of it! PM IF YOU HAVE A COPY. In the meantime please enjoy this rare footage of Soft Machine performing naked at the 1967 Sun Love happening in Cogolin, near st. Tropez, on the French Riviera.

“The Picasso part lasted an hour, that depended on the Soft Machine, and afterwards there were happenings, concerts… An American actor told us ‘come back to my place, I’ve got a swimming pool’, so we went and we created a happening which took the piss out of the faux-mystics, and we made a pseudo ritual to the rising sun, we took the piss out those people who were taking the piss out of the hippies, it was Sun Love…” (Lebel)

Happy 2020.

The girl with the Mejadra Eyes has the Sun in her Mouth

26 Dec

I more or less started to get interested in live video-art after seeing Mejadra Eyes, one of Israel’s most prominent VJ’s (and I guess one of the very few actually making a living out of it out here in the desert), perform with Fortuna in their duo Shemesh BaPe (sun in the mouth) some years ago. To me it was actionable inspiration – it was awesome AND it was something I thought I might be able to do myself one day. Yesterday she got me coffee 🤩