This week, I celebrated my 33rd birthday. Being 33, which is of course the age in Jesus died of the course, made me think of Jesus, and the time to be reborn.
A friend of mine shared this link on my wall, to congratulate me for my birthday with a psychedelic-pop-Jesus. I was mesmerized.
Watching other people on drugs is fun and interesting even when you are totally sober. Sometimes, it can bring you back to the way it felt for you when you were buzzing. At other times it is just plain funny and weird to watch.
This 15 minutes movie is taken from a security camera from installed in a 1992 rave where most of the people must haven going on incredibly high doses of ecstasy (Check out the incredible jaw movement of the dude at 2:10).
Ecstasy, incidentally, is not really a psychedelic, only a semi-psychedelic, and is linked to many adverse affects, so it’s best to learn about it before thinking of giving it a try.
The 1990s D.J. who uploaded this video writes some pretty moving words on YouTube, reminiscing about the times:
“In this video which is actually 4 hour long cut down, you will see how some of the people enjoyed the best music in rave culture. Some people will never see these days and some will have lived them so I dedicate this to you and the friends gained and lost through good and bad times. enjoy…
If you was there say your shout outs as you would have wanted…
If you have lost friends maybe you can add a tribute.
If you want to put a bad comment have some respect and keep it for your self..
This video is surely about the good times… Its about Peace & Love”
In 1968, with the psychedelic and political revolution at its peak, even The Monkees, who were previously known as a standard commercial-pop group were working on a psychedelic film with revolutionary themes.
“Head” (1968), was very different from anything the Monkees have done before. It was psychedelically inspired and this is noticeable both in terms of music, as well as in terms of narrative and the character of the film.
The movie actually makes fun of the commercial plastic image of the monkees in a silly sounding song which goes:
He, hey, we are The Monkees
You know we love to please
A manufactured image
With no philosophies.
[…]
You say we’re manufactured.
To that we all agree.
So make your choice and we’ll rejoice
in never being free!
Hey, hey, we are The Monkees
We’ve said it all before
The money’s in, we’re made of tin
We’re here to give you more!
The money’s in, we’re made of tin
We’re here to give you…
The final “We’re here to give you…” is interrupted by a gunshot, and footage of an execution of a Viet Cong operative. The line between commercialism, revolution and psychedelics becomes blurred again and agin. Such messages are interspersed throughout the film, which has a variety of subversive moments.
The Porpoise Song which appears near the beginning of the film features Micky Dolenz and some beautiful psychedelic underwater colors. A prime example of 1960s psychedelic film aesthetics.
There is something to Japanese culture that seems to be intrinsically psychedelic to the western mind. The orient itself, one could argue, has a strange hallucinatory effect on western sensibilities, as a foreign land, an “antipode the mind”, which one can visit more easily than ever since the rise of YouTube and webvideo.
The garish colors of the psychedelic age haven’t disappeared from Japanese pop culture, and together with the flourishing of Japanese capitalism and consumer society it has created a prospering ecology of psychedelic video aesthetics, which produces at times what looks like a Philip K. Dickian style of advertising, at other times like a tripped children series, and sometimes just plain weird.
For the Japanese, many of these artifacts that seem to be deeply psychedelic in western eyes, are considered to be an integral part of mainstream pop culture, or of the kawaii genre. These artifacts are in fact rarely even considered to be psychedelic in the extreme anti-drug climate of Japan, where even psychedelic rock-groups take a distinct anti-drug stance.
This short list will focus on the more weird side of psychedelic Japanese videos. This is not to say that there is not a tradition of more transcendental, classic psychedelic aesthetic in Japanese culture. (See for example, this one). The “weird” genere is only a sub-genre in the wide spectrum of Japanese psychedelic videos.
While we would like to refrain from engaging in a questionable orientalism of the sort that romantically misinterprets a remote culture and tries to define it through the embarrassingly uninformed eyes of a stranger – we do like weird Japanese styled psychedelic videos very much. Indeed Japanese culture has had a huge impact on psychedelic aesthetic, which goes well beyond the videos done by Japanese artists.
So here, without further adieu, without trying to analyze or to explain, a number of our favorite Japanese styled psychedelic videos on the web.
Toast Girl
Toastgirl is a Japanese performance artist, who began her career after one day, out of boredom, she decided to toast a piece of bread while holding a toaster on her head.
The rest is history. On her debut performance inMelbourne, Toastgirl made a toast on her head, while her friend’s band played. This was a sensation and she became widely known as toast-girl and has a strong following among young women inJapan(I’m not making any of this up. I swear!).
I love Toastgirl because her style mixes many of the elements of psychedelic weird stuff that’s coming fromJapan: she is childlike and epic alike. She has red hair and magical tottoro-like monsters that dance next to her. You can see her face appearing enticingly on consumer products in one of her clips (The beginning of this one) while in other videos she appears in frames that mix the aesthetic of the Marxist revolutionary group Japanese Red Army propaganda posters with childlike monster drawings. (1:18, in the video above)
Nippon Kazauwa
I don’t really know what Nippon Kazauwa is, but to me it looks like a freaked out commercial for a hallucinogenic beverage made from the urine of amanita muscaria eating shamans.
Nippon Kazauwa is a sort of hyper-freaked parody of Japanese aesthetics in the western eyes. The guy who appears in this video doesn’t even look Japanese, but the Japanese styling is done to the extreme. After drinking the Nippon Kazauwa mushroom beverage our guy gets a crazy look in his eyes and starts talking to weird creatures. This is theNipponkazauwa shit that he is on, and it’s a completely weirded out one.
Hyper is a very relevant adjective when talking about Japanese psychedelia. Japanese psychedelic videos can be hypercapitalistic, hyperchildish, hypercolored, and of course they are often very hyperactive. This video doesn’t appear on any video hosting site that I could find, so you have to click on this link, and download it. If you do, it might prove to be your favorite of all.
I think this video could be a visual definition of the word hyper, and it only gets worse, in the second minute this gets to what I think actually earns the term “hyperhyper”.
Superflat First Love by Takashi Murakami for Louis Vitton
Takashi Murakami’s work is one of the best examples of the Japanese mixture of consumerism and psychedelia. In his “Superflat” series, which draws from Manga and Anime aesthetics, Murakami has brought the world of art closer than ever to the world of pop culture and consumerism.
This Superflat Louie Vittons commercial done by Murakami is a splendid mix of Ghibli style anime, magical Shinto-like creatures and psychedelic imagery. It always brings a smile to my face.
Katamari Damacy
Katamari Damacy is a Japanese video game published by Namco for the Playstation 2 video game console.
“The game’s plot concerns a diminutive prince on a mission to rebuild the stars, constellations, and Moon, which were accidentally destroyed by his father, the King of All Cosmos. This is achieved by rolling a magical, highly adhesive ball called a katamari around various locations, collecting increasingly larger objects, ranging from thumbtacks to people to mountains, until the ball has grown great enough to become a star.”
There are a number of Katamari videos on the web, all of them incredibly psychedelic in style and for some reason they always feature an assortment of magical looking mushroom.
Dopeness Mogu Mogu / Evisebeats
Like Katamari, Mogu Mogu is also a voracious funny creature who likes to eat everything which is big enough to put in his mouth. Like the Katamari king he grows in the process and reaches the size of stars.
EEL – For Common People
You might have thought that kawaii and punk don’t go well together, however this clip comes to show this is not necessarily the case. InJapanyou can be both tough and childlike, punky and pinky at the same time.
Tanaken – Randy Teenage Psychedelia
Tanaken is a Japanese hip-hop artist. This video of Tanaken has a style that I would characterize as randy teenage psychedelia. It is a bizarre style to think of, but apparently inJapanit exists.
After watching all these incredibly psychedelic and funny Japanese video, one feels grateful for the existence of the Japanese people, but also easily forgets the devastating earthquake which hit Japanjust a few months ago. You can make a donation for helping Japan here.
Typography videos has been getting pretty big on the web in the past couple of years. Now, Olivier Ferland has been doing some pretty amazing work with two beautiful psychedelic raps from psychedelic stand-up prophet Bill Hicks and from Terence McKenna.
For people like me, text is so intrinsic to meaning, that we sometimes secretly wish that the whole of reality would be subtitled. These videos manage to make the powerful psychedelic speeches even stronger.