Tag Archives: mad men

Mad Men on speed

2 Sep

In an interview about the sixth season of Mad Men, series creator Matthew Weiner talks about the recurring role of drugs in the series. “It’s film, so you can try to create that experience. My challenge is to make sure that it’s not the camera that’s on drugs, it’s the characters that are on drugs. But it is a moment to kind of find out what’s going on inside them. (…) It’s something amazing that you can do with film, to show people how you experience reality, and that it is altered a lot of the time.”

Mad Men already touched on the psychedelic experience quite skillfully in season five. Episode eight of season six tackles the drug laden 1960s from another angle, with the appearance of a Max-Jacobson-like Dr. Feelgood who shoots the entire office with what appears to have been a healthy dose of amphetamines in an effort to boost productivity. Much of the episode revolves around ensuing happenings, and the erratic and frantic behavior of Don Draper and his staff while on an extended amphetamine high which lasts three days. Here you can see an example for a typical amphetamine scene from the episode: a conversation between Don and Ken Kosgrove which portrays the effects of speed quite amusingly and hardly attractively.

2012 in Psychedelic Video – The Best Psychedelic Videos of 2012

31 Dec

gangnam2012 was a very good year for psychedelic video, which is not surprising. The revolution in the means of video production and dissemination which occurred in recent years through the introduction of evermore powerful computers and the appearance of  YouTube have led us to a point where more and more psychedelic videos are produced and disseminated each year. When you combine this with the ongoing assimilation of psychedelic aesthetics into mainstream media you get a year which was full of delicious psychedelic treats. Below are some of the videos we liked best in 2012 followed by personal selections made by the contributors of the DPV.

Psychedelic Music Clips

In 2012 psychedelic aesthetics kept penetrating into mainstream music videos and more specifically into hip hop. The most prominent example was of course Psy’s  gargantuan hit  “Gangnam Style” which featured highly psychedelic glowing colors and style (and hardly needs being presented to anybody on the planet after becoming the first video on YouTube to pass the 1 billion views count).

The psychedelic style was even more explicit in Azyla Banks’s music video for the track Atlantis in which the singer explores a trippy underwater world, riding dolphins and hugging seahorses.

Baltimore rapper Rye Rye released a hyper-psychedelic version to the Vengaboys’ “Boom, Boom, Boom” with electronic mushrooms and flying carpets.

Another spectacularly psychedelic hip hop video was created by Ori Toor, an animation artist whose work was featured earlier this year on the DPV’s list of best psychedelic videos of all time.

In this video, created for the Seattle experimental hip hop group Kingdom Crumbs, Toor further explores the unique animation style he presented in his earlier video “Lion in a Coma”.

Hip hop wasn’t the only place where things were happening, psychedelically speaking.

Bjork who seems always willing to incorporate psychedelic elements into her enchanting clips released a music clip to the track “Mutual Core”, Directed by Andrew Thomas Huang, an extremely talented psychedelic video artist which we will encounter again on the “Psychedelic Video Art” segment of this list.

Another psychedelic music video we liked a lot was this dreamy and hallucinated clip to the song “Even Though” by Giraffage. Created by Brendan Canty, the video takes the viewer on a trip through the Italian countryside. This is probably how Toscana looks after taking 500 micrograms…

Psychedelic Television

2012 also produced some cool psychedelic television. Perhaps the most spectacular psychedelic TV show of the year was Noel Fieldings’ hilariously psychedelic comedy show which ran on the British E4 channel. Described on the Channel 4 website as “a psychedelic character based comedy show”, the series produced some of the most amusing psychedelic comedy that we’ve seen. Below you can watch the second episode of the first season. The rest of them are also available on YouTube.

Another 2012 television gem that you wouldn’t want to miss is the Mad Men scene in which account man Roger Sterling goes on an acid trip. This was a first acid scene in a series which is considered by many to be the most impressive portrait of the sixties ever produced on film, and which now in its fifth season has finally reached 1966/1967, the height of the 1960s psychedelic era. Mad Men creator Matthew Wiener gives the acid experience a beautiful and nuanced cinematic interpretation.

Psychedelic Film

There were a bunch of very psychedelic films released in 2012. Among them Ang Lee’s deeply religious “The life of Pi” and the Disney’s deliciously colorful blockbuster “Wreck it Ralph” and the French “Holy Motors”. Meanwhile, on the DPV we were particularly impressed by two psychedelic trailers for two non-existing films.

One of these was an animation video done in the style Huichol art for an Huichol animation film which will be based on Huichol folk stories. The result was a unique and inspiring mixture of the new and the old.

The second trailer we really liked was “Jihad of Muddaib”, a fabricated trailer for a film which was never even in the making. Based on Frank Hebrert’s Dune mythology the video mixes an electronic psy track by Silver Strain with sci-fi imagery, desert mysticism, action scenes and even some 9/11 references.

Independent studio psychedelia

Some of the most psychedelic videos of 2012 were coming from independent studios which devoted their after-work hours to bombarding us with breathtaking visuals.

One of these was “I, pet goat II”, a dark apocalyptic short film created by the Canadian Independent Studio Heliofant, which is “focused on creating experimental and challenging content”. Featuring the Bush and Obama dancing around as marionettes, and Filled with references to the Illuminati, free masons and of course the 9/11, the film evoked myriad complex interpretations which sought to decipher its symbolism.

On the lighter side of things, the Argentinian art direction and motion graphics design group 2viente produced “Psychic Land” a spectacular and cheerful video that truly deserves to be called a psychedelic treat.

Psychedelic video art

Andrew Thomas Huang who also created the Bjork music clip featured above, produced a number of dazzling psychedelic videos of the past couple of years, among them Avi Buffalo’s spectacular “What’s it in for” video. However it was the Solipsist video which impressed us the most. The video which contains some of the most gripping psychedelic images we’ve seen in a long time, exhibits Huang’s unique psychedelic style to a full extent.

Amateur Mash-Up Psychedelia

Fitting to the age of web 2.0 and user created content, some of the best stuff out there in 2012 was created by web amateurs who created psychedelic video by mixing and mashing up pre-existing images and sounds into new and exciting combinations.

The psychedelic qualities which can be seen in Disney movies such as Dumbo the Flying Elephant,  Fantasia or Alice in Wonderland was already discussed here on the DPV, however the cheerful way in which this video connects these Disney sequences with the track “Contact High” by Architecture in Helsinki takes them to a whole new psychedelic level.

Another mash-up video which we found highly enjoyable is this one which mixes Daft Punk, X Jay and Silent Bob.

DPV Contributors selections

DPV contributors were asked to choose their two favorite 2012 videos from the ones they featured during the past year. Here are their selections:

Boaz Yaniv

Phadroid at Black Rock City & Fatty Fatty Boom Boom:

The two videos I chose from the videos I featured on the DPV in 2012 are of Phadroid (Android Jones and his wife Phaedrana Jones) and Die Antwoord (Ninja and Yolanda). The reason I chose these videos from all the mind blowing colorful videos is that for me they represent a lot of the things I look for when I search for interesting videos to feature on the site. For me it’s not only about colors, spirals and high-tech visualization (though I do love all of that) but it’s about finding new cutting edge contemporary visionary artists. The DPV creates an archive for contemporary psychedelic art and as such it serves as a platform where the psy community worldwide can find out about psy-artists that work today. Android and Phaedrana’s shows can at last be seen by people that just cannot make it to the burning-man or to their other shows. Together they form a symbiosis of dance and visual effects that take the viewer on an exciting journey.

If Phaedrana stems from the hippie-trippy side of the psy world, Die Antwoord is a grass-root hood-psy group. Ninja and Yolanda create their unique ZEF world that includes music, fashion, dance and video. Their pop style might be misleading as they have quite a subversive message that they convey about the pop world we live in (check out their interview on YouTube to understand more of what I’m talking about). Some people challenged Die Antwoord’s authenticity as a band. I say it doesn’t matter if they even exist as a band. Die Antwoord are performance artists more than anything else. They submit themselves totally and wholeheartedly towards the ZEF salvation!



Orphic Oxtra – Skeletons Having Sex on a Tin Roof

2012 is the year that brought us the epic “Skeletons Having Sex on a Tin Roof” by the Icelandic group Orphic Oxtra. When I first posted the video it was lots of silly fun, but now at the end of the year another  thing became clear: with its meme-friendly ever dancing, ever smiling plastic tiara princess (and let’s not forget its slightly curious donkey and much more curious white cat) “Skeletons Having Sex on a Tin Roof” moved a step beyond your everyday “exploding clouds of million colors”-clip and showed us what a psychedelic video in the meme-bubble bursting YouTube galaxy of 2012 had to look like.
YouTube user starwarsnerd94 suggested: “This should be a mandatory introduction video to the internet. It would let everyone know what they’re getting into.” And while you still might not be certain what you just witnessed, don’t forget to enjoy that beautiful music.

New Tokyo Ondo

Misaki Uwabo’s animation New Tokyo Ondo needs more exposure. Its style is both refined and bold, the imagery at the same time well-informed and fresh. I especially enjoyed its skillful merging of functions of cultural signs with psychedelic anti-tropes (like dissolution of boundaries or stream of consciousness non-progression) without dismissing one for the other. This non-exclusive attitude is very characteristic for the development of psychedelic aesthetics in 2012.
According to little background information I was able to gather (this side of the language barrier), New Tokyo Ondo is a  “nonsense animation conceived and made from the idiom ‘it reaches’.” The way a whole swirling world is set free from the worn off detail of
an idiom expresses a lot of what could be called “psychedelic spirit”.


Hyperspace Visuals

As a Vj, I consider this excerpt as an good example of what telling a story should be during a show. Here is a great variation of psychedelic vjaying around “borderless” space!


In their visions, ayahuasca shamans say they see the essences that animate living beings, the first property of which is to emit melodies. These essences are considered powerful beings, and ayahuasqueros learn their melodies by singing along. Singing like powerful beings, they learn to see like them, and this gives them knowledge. The melodies that shamans bring back from their visions are called “icaros”; they help navigate the space of ayahuasca consciousness, and can also serve as lifelines when overwhelmed by visions. A film by Stephan Crasneanscki.

Holographic Elf

Jack Fried – Sick Leave

Jake Fried put out two amazing animations in 2012 and I felt like I could have chosen either one of them (Waiting Room being the other). With Sick Leave he added color to his intense stream of consciousness style. This audiovisual outpouring is certainly not your everyday mental chatter, but fluctuates between mundane situations and archetypal visionary experiences. The visual content might be taken from myths and stories read from books, but I believe an artist can just as well base them on direct experience. Animation can act as shamanic language – there is no need to point out or name anything.

X by Max Hattler

Max Hattler has become a favorite here at DPV. X has him as director and animator with five other animators, including Tony Comley of Verse  fame.

I would actually suggest watching Verse along with X and comparing the execution. The aesthetic of X is minimal wireframe, computer-generated to the extreme, but if you look at the choreography; it is practically indistinguishable from human thought particles zipping inside the mind. While being completely different from the raw technique of Jake Fried, the production does not feel at all artificial or automatic.


Continuum Infinitum

To me, this video materializes the enfolded dimensions which are accessed with the assistance of tryptamine hallucinogens. As if falling forward through a tunnel which turns back on itself, this looping animation is a cogent representation of altered state perception. The imagery is somewhere between ancient Mayan and Tibetan iconography, with an added biological feel; almost like an organic mandala. I look forward to seeing more from this motion-graphics artist.

Daedelus “Righteous Fists of Harmony”

This video presents elements of astral travel and lucid dreaming. The imagery which starts around the 1 minute mark is beautifully psychedelic and relays a sense of cosmic union and wonder. This is the kind of bubbling life of the universe that springs up all around us when our consciousness expands. The swirling and soaring orchestral music perfectly complements the transcendent imagery.

Roger Sterling takes Acid – The Madmen LSD scene

24 Sep

As a series which is considered by many to be the most important of our time, and which arguably captures the psyche of 1960s America in an unsurpassed intricate and nuanced way, it was very interesting to see how Mad Men will tackle the psychedelic movement. Matthew Wiener, the series creator does such a thorough job of commenting on various aspects of 1960s culture and society that there was really no doubt that psychedelics will make an appearance at some point.

Mad Men, whose first season took place in the year 1960 reached the psychedelic years 1966/1967 in the fifth season which aired this spring. And if you have been wondering who will be the first character to go on an acid trip, you are in for some surprise. Of all the possible suspects it is none other than Roger Sterling, probably one of the least spiritual and more cynical figures in a show whose characters are mostly Madison Avenue advertising agents.

What does he experience on his trip? Well, the scene is definitely very well-conceived in terms of bringing the psychedelic experience to the screen, and giving the part to the smug conservative and suave account man Roger Sterling certainly makes it more interesting than watching another teenage hippie trip.

The whole scene is set in a New York apartment, and takes place in the company of a group of established middle-aged people who experiment with LSD. At a period when LSD was not yet a youth-countercultural symbol older user groups such as the one in the scene were a substantial part of the LSD user demographic.

The scene begins with a reference to the long period of waiting for psychedelic effects at the start of an LSD trip. “Well, Dr. Leary, I find your product boring” is Roger’s first reaction to the acid trip.

However the trip soon becomes much more interesting to Roger as well as for the others. Looking in the mirror Roger sees himself in a new way. Then he will have a outer body experience, where he watches himself dancing with his wife Jane. And at the end he will hallucinate the 1919 world series to himself.

Other references to the psychedelic culture of the time include the “Guide” who makes references to the Bardo Thodol, and the Tibetan book of the dead which became popular in the psychedelic scene of the mid 1960s following Leary’s publication of “The Psychedelic Experience”, a psychedelic interpretation of the Tibetan Book of the Dead which Leary called the translation of the Tibetan Book of the Dead to “modern psychedelic English”.

The scene is cut short in this YouTube video, so if you want to watch the whole thing, you are better advised to watch the episode itself.

Series creator Weiner characterized Roger’s acid trip as an experience of “complete honesty” and an “experience of empathy, something he’s probably never experienced in his life. He doesn’t see the world through other people’s lives and that kind of epiphany to me is very beautiful”

John Slattery who plays Roger has said about the scene: “It gave him [Roger] the assurance that it isn’t over. Roger doesn’t have to work. He has a lot of money. You could argue he’d be happier elsewhere. But that experience gave him the insight that he’s too young to give up. It isn’t time to quit. He has this experience where the whole world isn’t revolving around him. People can be looking at you but they’re not thinking about you. To Roger, that’s very profound even if everyone else in the world has already thought of that.”

All in all, the scene presents a pretty positive portrayal of LSD, which leads Roger to new realizations and understandings and allows him to look truth in the eye and take a bold and important decision in his life. (I’ll omit which decision to avoid a spoiler).
It will be interesting to see if and when psychedelics will make more reappearances in the next seasons of Mad Men which are set to cover the central years of the psychedelic era of the sixties: 1967, 1968 and perhaps also 1969.

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