The mother and father of the world are wondering at the follies of their human children. An anti-materialistic, anti-nationalistic film created by Faith and John Hubley, sponsored by “The Institute for World Order” with an original and beautiful soundtrack by the one and only Dizzy Gillespie.
(Link: Lex. Thanks!)
Another awesome animation from Professor Soap, who we’ve seen previously here.
The film is an allegorical comment on the moral neutrality of technology and the potentially destructive powers of propaganda. Blackwolf’s secret weapon is propaganda, used to incite and motivate his legions and terrorize the good fairy folk of Montagar; Blackwolf also utilizes technology for evil ends. However, in the end, it is Avatar’s willingness to use a technological tool (a handgun pulled from “up his sleeve”) which saves them all. Bakshi also states that Wizards “was about the creation of the state of Israel and the Holocaust, about the Jews looking for a homeland, and about the fact that fascism was on the rise again”.
Another epic rap by Terence McKenna, accompanied with fantastic, evocative visuals.
Ivan Maximov leads us from left to right in a glorious parade of entities.
This is the first film in a trilogy by Hungarian Sándor Reisenbüchler. It is based on a poem by Ferenc Juhász
At 04:28 you can see some characters resembling Wondjinas, so it is possible that Reisenbüchler was familiar with the work of the “ancient aliens” -freak Erich von Däniken.
Below are included the 2nd and 3rd part of the trilogy for reference. They make use of photomontage and collage techniques.
Barbarok ideje / The Age of the Barbarians (1970)
Az 1812- es év / Year 1812 (War and Peace) (1972)
A rant about drug users and some of their idiotic excuses for using them. 🙂
For its 3rd birthday the DPV is featuring a series of psychedelic videos specials which will run between the 22 and the 28 of April 2013. Stay tuned for more of our psychedelic specials.
It is surprising how many of the earliest films contained psychedelic elements. In the field of animation especially one finds not only many psychedelically styled videos, but even 1920s videos focusing on the mind-altering effects of drugs. And while these films don’t feature the fancy CGI effects of today’s videos, they have a special kind of charm.
Emil Cohl – Fantasmagorie (1908)
“Fantasmagorie” by French caricaturist and animator Emil Cohl,“the father of animated cartoon”, is considered by film historians to be the first animated cartoon.
Watching Fantasmagorie today, the inherently psychedelic character of animation becomes even clearer. The film make me think about how it must have been for the first viewers of this video, one of the earliest of animations, when they watched it more than a hundred years ago. How did they react to the fantastical world on the screen in which things appear out of nowhere, and bottles of wine are transformed into flowers? Interestingly, it is right after our hero, who removes many hats worn by the lady in the front, arrives at a smaller hat, which makes the woman look like a mushroom (0:29), that weird things start happening…
Emil Cohl – Hasher’s Delirium (1910)
Two years after Fantasmagorie, the topic of intoxication becomes explicit in another video by Cohl titled “Hasher’s Delirium”. In this video our hero, who drinks wine and absinthe in a restaurant, enters into various states of delusion. The psychedelic transformations of objects reach new levels here.
Walter Ruttman – “Das Wunder” – Kantorowicz liquor commercial (1922)
This highly amusing early Kantorowicz liquor commercial was created by experimental film maker Walter Ruttmann at a time when alcohol was already illegal in the US. The Kantorowicz liquor is created by a magician who uses the basic elements of the universe. Later the liquor performs the impressing feat of appeasing the angry and fighting men, eventually even making them kiss each other. No wonder the film is called “The Wonder”…
Pat Sullivan – Felix the cat – Felix dines and pines (1926) (Trippy sequence starts at 4:13)
Silent era’s Felix the cat went on occasional and sometimes unintended hallucinatory trips. In this first video from 1926 Felix eats some food from the garbage and consequently enters a long and highly trippy hallucination.
Pat Sullivan – Felix the Cat – Woos Whoope (1928)
In this video from 1928, Felix drinks too much in Whoopee Club and enters into a state of delirium full of intimidating hallucinations.
Max Fleischer – Betty Boop Nitrous Oxide film (1934) (Trippy sequence starts at 4:00)
American animator Max Fleischer created a number of drug-related videos, some of which were already featured in the post about Terence McKenna’s taste for psychedelic animations.
Still one has to have a Fleischer video in a post about psychedelic oldies. Here is one my favorites. His nitrous oxide video… The funny trippy part starts at around 4:00)
Oskar Fischinger – Allegretto (1936)
German-American abstract-animator Oskar Fischinger had to fight for his film “Allegretto”. The video which was created by Fischinger in 1936 in synchronization with a tune by Ralph Rainger, was altered by Paramount Pictures who changed the Technicolor imagery to B&W, and intercut the abstract images with live action scenes. Fischinger eventually asked to be let out of his contract, and completed the film by himself in a way which suited his vision. The colorful result, which remains visually engaging even today, is considered “one of the most-screened and successful films of visual music’s history.”
Walt Disney – Fantasia (1940) (Trippy sequence starts at 5:00)
Disney’s Fantasia (1940) was an unprecedented orgy of colorful splashes, and colorful rainbows.
The whole film is psychedelic in style, but the sequence above is particularly distinguished for its synesthetic qualities.
The name “Fantasia” in itself alluded to a fantastic other-worldly land, perhaps the kind which can be discovered through the ingestion of substances from a chemical family which was known at the time as the “Phantastica”.
This might be a bit farfetched, but maybe not. Acording to Peter Stafford’s “Psychedelic Encyclopedia” the chief visualist for Disney’s Fantasia (1940) participated in the mescaline experiments conducted in Germany by Kurt Beringer in the 1920′s. Artist Paul Laffoley claims that Disney himself experimented with Mescaline “On a regular basis” during his stay in Germany in the 1930′s. Many other theories regarding the relations between Disney and psychedelics exist, and you can find out about some of them here in this fascinating article.
Walt Disney – Dumbo the flying elephant (1941)
A year after Fantasia, Disney released Dumbo the Flying Elephant. In it Dumbo starts drinking the contents of a bucket, following which he begins to hallucinate highly peculiar visions, which you can see in the scene above.
For its 3rd birthday the DPV is featuring a series of psychedelic videos specials which will run between the 22 and the 28 of April 2013. Stay tuned for more of our psychedelic specials.
The term “psychedelic’ which is etymologically derived from the Greek psykhe- “mind” + deloun “make visible, reveal,” from delos “visible, clear,” was invented by psychiatrist Humphry Osmond in 1957 to describe the effects of hallucinogenic psychotropic drugs inducing altered states of perception. From consciousness modification to consciousness transformation, the term was deeply explored during the turbulent 1960’s. All over the cultural spectrum, many artists attempted to recreate the psychedelic experience through various Media.
Today, a new generation of artists goes back to the sources of historical psychedelia to bring what we call the third psychedelic revolution (the second was the creation of electronic music in the 80’s).
The idea of consciousness expansion is developed through stage-performance, community and “total art” phantasm. Thus, we will be tempted to refer to psychedelic experience instead of general psychedelia: There is no psychedelic art, only experiences.
In contrast to the clichés of “flower power” and the summer of love, French psychedelia is an experience of numerous, miscellaneous and fundamentally experimental forms.
From music clips to cinema, through cartoons and video art experimentation this collection has no pretension of being exhaustive, but I assume it covers a part of the range of French psychedelia!
A drug dealer becomes interested in death and re-incarnation after reading “The Tibetan Book of the Dead”. Suddenly dead, his soul floats through Tokyo observing the dramas of his friends and foes. An oath determines his next step ‘as a soul’.
A 9-minutes musical short film on the famous song by Serge Gainsbourg, “Variations sur Marilou”, interpreted in 2006 by Alain Bashung.
The song rests between reality and fantasy. The music video explores this aspect by showing Marilou’s gestures, parallel to the imaginary world of desire, all at once. It thus responds to the very daring worlds of Bashung and Gainsbourg. Maxime Bruneel’s challenge was to create images which won’t be too shocking… The result is closer to Gustav Courbet’s “Origine du monde” than to today’s pornographic films.
“Histoire de Melody Nelson” is a 1971 concept album by French songwriter Serge Gainsbourg. The Lolita-esque pseudo-autobiographical plot involves the middle-aged Gainsbourg unintentionally colliding his Rolls Royce Silver Ghost into teenage nymphet Melody Nelson’s bicycle, and the subsequent seduction and romance that ensues. Histoire de Melody Nelson is considered by many critics and fans to be Gainsbourg’s most influential and accomplished album.
Billy Ze Kick are a French band from the 1990s, with lots of psychedelic references and overtones. Their song “Mangez-Moi” (eat me) in which the band goes mushroom picking in the forest and different magic mushrooms beg them to eat them and promise to open their minds, was a big hit in 1990s France. Apparently not everybody realized what the song was really about…
In the far future, a highly sexual woman is tasked with finding and stopping the evil Durand-Durand. Along the way she encounters various unusual people.
Anemic Cinema or Anémic Cinéma (1926) is a Dadaist, surrealist, or experimental film made by Marcel Duchamp. The film depicts whirling animated drawings — which Duchamp called Rotoreliefs — alternated with puns in French. Duchamp signed the film with his alter ego name of Rrose Sélavy.
Rotoreliefs were a phase of Duchamp’s spinning works. To make the optical “play toys” he painted designs on flat cardboard circles and spun them on a phonograph turntable that when spinning the flat disks appeared 3-dimensional. He had a printer run off 500 sets of six of the designs and set up a booth at a 1935 Paris inventors’ show to sell them. The venture was a financial disaster, but some optical scientists thought they might be of use in restoring 3-dimensional sight to people with one eye.
In collaboration with Man Ray and Marc Allégret, Duchamp filmed early versions of the Rotoreliefs and they named the first film version Anémic Cinéma.
Seven and a half minutes of the 26-minute film that inspired Terry Gilliam’s 12 Monkeys.
A man (Davos Hanich) is a prisoner in the aftermath of the Third World War, in a destroyed, post-apocalyptic Paris where survivors live underground in the Palais de Chaillot galleries. Scientists research time travel, hoping to send test subjects to different time periods “to call past and future to the rescue of the present”. They have difficulty finding subjects who can mentally withstand the shock of time travel, but eventually settle upon the prisoner, whose key to the past is a vague but obsessive memory, from his pre-war childhood, of a woman (Hélène Chatelain) he had seen on the observation platform (‘the jetty’) at Orly Airport shortly before witnessing a startling incident there. He had not understood exactly what happened, but knew he had seen a man die…
Since Jan Kounen is one of my favorite director, I already posted several of his fantastic videos. You can see the list here. Be sure to catch his awesome ayahuasca scene from the film Renegade (aka Bluberry).
Ultimaya impulsion is a virtual area that promotes the investigation into consciousness mainly through the medium of Video Feedback and its modulations. It supports multidisciplinary research into video, sound, art, science, advaita vedanta … We explore the interplay of reality and illusion, attempting innovative mystical, shamanic-like approaches.
Ultimaya is an open collective of artists performing visual and musical experiments, reflecting their vision of a sub-conscious interconnected global psyche.
Gandahar (René Laloux), is a French animated science fiction and fantasy film released in 1988 in the U.S. It is based on Jean-Pierre Andrevon’s novel Les Hommes-machines contre Gandahar (The Machine-Men versus Gandahar).
The peaceful people of Gandahar are suddenly attacked by an army of automatons known as the Men of Metal, who march through the villages and petrify their victims with lasers. The resulting statues are then collected and transferred to their base. At the capital city of Jasper, the Council of Women orders Sylvain to investigate. On his journey, he encounters the Deformed, a race of mutant beings who were accidentally created via genetic experimentation by Gandahar’s scientists. Despite their resentment, they are also threatened by the Men of Metal and offer to help Sylvain.
We also published a post about his master piece titled ” Fantastic planet”, here is the link to get a picture:
Gong is a Franco-British progressive/psychedelic rock band formed by Australian musician Daevid Allen. Their music has also been described as space rock.
and here, an other video DPV already published in the past!
https://dailypsychedelicvideo.com/2010/05/08/gong-%E2%80%93-how-to-stay-alive/
A French band who never made a single success in France, but filled up the Red Place in Moscow…
A Philippe Garrel movie from 1969 depicting enigmatic variations of the Virgin Mary, Jesus Christ and world after may ’68.
The Sacred Mountain is a 1973 cult film directed by Chilean-French Alejandro Jodorowsky who also participated as an actor, composer, set designer, and costume designer on this film. It’s a masterpiece and a must-see!
The film is based on Ascent of Mount Carmel by St. John of the Cross and Mount Analogue by René Daumal, who was a student of G.I. Gurdjieff. In this film much of Jodorowsky’s visually psychedelic story follows the metaphysical thrust of Mount Analogue. This is revealed in such events as the climb to the Alchemist, the assembly of individuals with specific skills, the discovery of the mountain that unites Heaven and Earth “that cannot not exist” and symbolic challenges along the mountain ascent. Daumal died before finishing his allegorical novel, and Jodorowsky’s improvised ending provides a way of completing the work (both symbolically and otherwise.)
NB: I want to dedicate this birthday post to my beloved dog “Trakass”, aka “Blondin” who died last Saturday after a tragic accident…May his soul escort us along the rest of our lives…R.I.P my boy…
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