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Rubber Johnny // Chris Cunningham

23 Jun

One day, I was working on a video/contemporary dance trailer, the guy I was working with showed me this short movie.
Then, I went out of my mind for a while…

This morning, I wanted to watch to a C. cunningham music clip (I will put on if them soon on DPV !) Come to Daddy (A. Twin).
and I reminded this experimental short movie !

Rubber Johnny is a six-minute experimental short film and music video directed by Chris Cunningham in 2005, using music composed by Aphex Twin. The name Rubber Johnny is drawn from a British slang for “condom” as well as a description of the main character, which explains the title sequence.
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The concept for Rubber Johnny came from Cunningham imagining a raver morphing as he danced. The idea evolved to the present film, in which Johnny (played by Cunningham) is an isolated deformed (possibly hydrocephalus) teenager kept on a wheelchair and locked in a dark basement with his chihuahua. Given his situation, he spends his life imagining all kinds of musical psychedelia to entertain himself.

The film was originally intended to be a 30 second TV commercial for the Aphex Twin album drukqs, using the track “afx237 v7”. However, Cunningham grew to like the concept more and more and decided to expand the concept into a longer length (the original commercial remains in the film in an altered form.) The film was shot partially in infrared night vision on digital video. The film’s music is “afx237 v7 (w19rhbasement remix)”, a remix made by Cunningham; the credits music is “gwarek2”, also from drukqs.

The film starts out with a doctor trying to communicate with Johnny who merely babbles in response. At a given point, Johnny manages to just barely leave his incoherent verbal babbling for a moment and mentions that he sees his mother, saying “mm–muhmaamaa.” The doctor understands this and asks him if he wants her to come in. When this occurs, he begins to freak out and has to be given a sedative injection.

The scene cuts to a blinking fluorescent light, then to a mouse crawling over a press-sticker credit, followed by the title, “Rubber Johnny” which is seen on a backwards-playing scene of a condom being pulled off a penis.

Johnny is first seen leaning backward in his wheelchair with his oversized head hanging over the back of it. Johnny mutters a distorted “Aphex.” This begins the Aphex Twin track, and Johnny begins to rhythmically follow it, while his dog watches. His dancing involves him performing balancing tricks with his wheelchair, and deflecting light beams with his hands as he dances.

After a minute or so, a door opens and he is interrupted by someone who appears to be his father. During this, Johnny is out of his delusion and is shown sitting upright in the wheelchair, turning to look. His father opens the room’s door, yells at him unintelligibly, and slams the door.

After he leaves, Johnny is seen inhaling a large line of white powder. The video then becomes even more erratic and delusional, as if the effect of the powder has not only affected Johnny, but the video’s world itself. The music becomes more spasmodic remix of the previous tune, and Johnny now hides behind a door, avoiding the white light beams. Later, he gets his face smashed at high speed into a piece of glass, with the camera watching from the other side so that the elastic-like skin and even some innards can be seen flattening out onto the glass every time. This was done using prosthetic-based special effects rather than digital morphing.

After a while of this, he is interrupted a second time by his yelling father, after which the video ends with Johnny, once again, reclining back in his wheelchair and babbling at his chihuahua.

Advanced Beauty

21 Jun

1 of 18 by Robert Seidel

14 of 18 by Tom Scholefield

Advanced Beauty is an ongoing art project with a large number of collaborators. Their first release was a collection of 18 synesthetic sound sculptures. There are no news about any upcoming releases as far as I can tell.

You can see all 18 videos in their Vimeo group.

More Uncanny Recursions by Cyriak

19 Jun

This is not the first but the (1, 2, 3…) fourth time that cyriak’s videos are featured here on dpv. Enjoy these recent additions to his  worlds of  uncanny and beautiful recursion (you might even find some resemblance to minecraft’s blocky universe)!

Micropoint – with the sound of Spiral Tribe

18 Jun

A very powerful mindbend.

(Link: Alonso. Thanks!)

“46.00 On The Dial” by 69DB-[vj Lens-opiohm]

15 Jun

Really good Vj work !

visual by Vj LENS

sound by 69DB

The Ultimate Weird Japanese Psychedelic Videos Collection DPV Special

3 Jun

There is something to Japanese culture that seems to be intrinsically psychedelic to the western mind. The orient itself, one could argue, has a strange hallucinatory effect on western sensibilities, as a foreign land, an “antipode the mind”, which one can visit more easily than ever since the rise of YouTube and webvideo.

The garish colors of the psychedelic age haven’t disappeared from Japanese pop culture, and together with the flourishing of Japanese capitalism and consumer society it has created a prospering ecology of psychedelic video aesthetics, which produces at times what looks like a Philip K. Dickian style of advertising, at other times like a tripped children series, and sometimes just plain weird.

For the Japanese, many of these artifacts that seem to be deeply psychedelic in western eyes, are considered to be an integral part of mainstream pop culture, or of the kawaii genre. These artifacts are in fact rarely even considered to be psychedelic in the extreme anti-drug climate of Japan, where even psychedelic rock-groups take a distinct anti-drug stance.

This short list will focus on the more weird side of psychedelic Japanese videos. This is not to say that there is not a tradition of more transcendental, classic psychedelic aesthetic in Japanese culture. (See for example, this one). The “weird” genere is only a sub-genre in the wide spectrum of Japanese psychedelic videos.

While we would like to refrain from engaging in a questionable orientalism of the sort that romantically misinterprets a remote culture and tries to define it through the embarrassingly uninformed eyes of a stranger – we do like weird Japanese styled psychedelic videos very much. Indeed Japanese culture has had a huge impact on psychedelic aesthetic, which goes well beyond the videos done by Japanese artists.

So here, without further adieu, without trying to analyze or to explain, a number of our favorite Japanese styled psychedelic videos on the web.

Toast Girl

Toastgirl is a Japanese performance artist, who began her career after one day, out of boredom, she decided to toast a piece of bread while holding a toaster on her head.

The rest is history. On her debut performance inMelbourne, Toastgirl made a toast on her head, while her friend’s band played. This was a sensation and she became widely known as toast-girl and has a strong following among young women inJapan(I’m not making any of this up. I swear!).

I love Toastgirl because her style mixes many of the elements of psychedelic weird stuff that’s coming fromJapan: she is childlike and epic alike. She has red hair and magical tottoro-like monsters that dance next to her. You can see her face appearing enticingly on consumer products in one of her clips (The beginning of this one) while in other videos she appears in  frames that mix the aesthetic of the Marxist revolutionary group Japanese Red Army propaganda posters with childlike monster drawings. (1:18, in the video above)

Nippon Kazauwa

I don’t really know what Nippon Kazauwa is, but to me it looks like a freaked out commercial for a hallucinogenic beverage made from the urine of amanita muscaria eating shamans.

Nippon Kazauwa is a sort of hyper-freaked parody of Japanese aesthetics in the western eyes. The guy who appears in this video doesn’t even look Japanese, but the Japanese styling is done to the extreme. After drinking the Nippon Kazauwa mushroom beverage our guy gets a crazy look in his eyes and starts talking to weird creatures. This is theNipponkazauwa shit that he is on, and it’s a completely weirded out one.

Chotto Torimasuyo (Hachimiri) / Holy Nite Mix

To watch the video click here

Hyper is a very relevant adjective when talking about Japanese psychedelia. Japanese psychedelic videos can be hypercapitalistic, hyperchildish, hypercolored, and of course they are often very hyperactive.  This video doesn’t appear on any video hosting site that I could find, so you have to click on this link, and download it. If you do, it might prove to be your favorite of all.

I think this video could be a visual definition of the word hyper, and it only gets worse, in the second minute this gets to what I think actually earns the term “hyperhyper”.

Superflat First Love by Takashi Murakami for Louis Vitton

Takashi Murakami’s work is one of the best examples of the Japanese mixture of consumerism and psychedelia. In his “Superflat” series, which draws from Manga and Anime aesthetics, Murakami has brought the world of art closer than ever to the world of pop culture and consumerism.

This Superflat Louie Vittons commercial done by Murakami is a splendid mix of Ghibli style anime, magical Shinto-like creatures and psychedelic imagery. It always brings a smile to my face.

Katamari Damacy

 

Katamari Damacy is a Japanese video game published by Namco for the Playstation 2 video game console.

“The game’s plot concerns a diminutive prince on a mission to rebuild the starsconstellations, and Moon, which were accidentally destroyed by his father, the King of All Cosmos. This is achieved by rolling a magical, highly adhesive ball called a katamari around various locations, collecting increasingly larger objects, ranging from thumbtacks to people to mountains, until the ball has grown great enough to become a star.”

There are a number of Katamari videos on the web, all of them incredibly psychedelic in style and for some reason they always feature an assortment of magical looking mushroom.

Dopeness  Mogu Mogu / Evisebeats

Like Katamari, Mogu Mogu is also a voracious funny creature who likes to eat everything which is big enough to put in his mouth. Like the Katamari king he grows in the process and reaches the size of stars.

EEL – For Common People

You might have thought that kawaii and punk don’t go well together, however this clip comes to show this is not necessarily the case. InJapanyou can be both tough and childlike, punky and pinky at the same time.

Tanaken – Randy Teenage Psychedelia

Tanaken is a Japanese hip-hop artist. This video of Tanaken has a style that I would characterize as randy teenage psychedelia. It is a bizarre style to think of, but apparently inJapanit exists.

After watching all these incredibly psychedelic and funny Japanese video, one feels grateful for the existence of the Japanese people, but also easily forgets the devastating earthquake which hit Japanjust a few months ago. You can make a donation for helping Japan here.

Indicium part …

1 Jun

Remember this last story…

DPV first year anniversary special // M. Devavry interview //

there’s something then,

just out from first show…

work in progres…

Efterklang – Mirador

30 May

Adventures of a strange bird. Out of the album Parades (2007)

A little somethin somethin from Cyriak

26 May

So I had something completely else planned for today’s video, something about the connection between big wave surfers and chasing the ultimate psychedelic ride (promo:) but then I saw this awsome video in dosenation (which became an imporant part of my internet diet) and I just had to post it here. Cyriak is plane simply a psychedelic genius.

* and another something I have to share with you is the music of Ravid Kahlani and the “Yemen Blues”. It’s a band that plays a mix of Yemen traditional music with blues and is really amazing. Listen to it (and “like” it)  here—–> 

Mane Mane – Twinkl Sr

23 May
[vimeo http://vimeo.com/22276694]

“Native American nautalis’, dark chandeliers in space. Most likely filmed inside a diamond genie lamp.”

If the perspective feels weird, just go with the flow.

(Link: Anna Fitzgerald. Thanks!)