Following the last few videos featured here, here’s more of the hipster-electronic-retro80s’-psychedelia, apparently a new genre in the art of video-clipping.
Following the last few videos featured here, here’s more of the hipster-electronic-retro80s’-psychedelia, apparently a new genre in the art of video-clipping.
Some psychedelic elements in this Terry Poison clip Give me that nice psychlectro feel.
Today I’d like to make the proposal that the aesthetics of “datamoshing” are kinda very psychedelic.
“Datamoshing” is the hip term for the effects achieved by removing keyframes from a videofile. It’s actually a very basic artisic technique in the tradion of randomness and the surfacing display of artistic means. What resurfaces here from the subconscious of the means of production are compression artefacts, objects born from the everyday algorithms of heavy data compression. The focus on compression artefacts sets them apart from other glitch aesthetics.
Not unlike a Rorschach test or psychedelic visuals these alien everyday compression artefacts are capable of expression. They have an emotional quality; they are anarchic smugglers on the border between conscious and subconscious.
The video above associates the compression artefacts with a certain melancholy. It’s an interesting construction of things passed since early objects of desire from 80s tv commercials and videogames are fused with the involuntary gestures of data compression from the internets early days of videostreaming. Just like a search of lost rad time with youtube.
Don’t miss those other two videos by eddie whelan! They are beautiful and no less rad executions of controlled randomness.
Ultra-capitalistic mega-synthetic pop star Ke$ha has recently released a highly psychedelic video with lots of references to drug culture, psychedelic culture, shamanic culture and hippies.
This time Ke$ha, formerly in love only with the $ sign, wakes in the desert and finds herself in love with some hippie. Throughout the song she is dancing around in the desert, playing with motives of indigenous and shamanic culture (Wearing native-american styled clothing, putting on a totem mask of a tiger, or wearing glowing body painting reminding of shamanic wall and body painting) seeing hallucinations and singing about being addicted to this hippie like a “drug”, referring to herself as a “crackhead”.
Things get really wild around 1:30. In this sequence Ke$ha and the hippie are inside a boat in the middle of the desert, probably hallucinating on the “love drug”, they are trying to stir the boat through the sands when they go into a full fledged hallucination whose style kind of reminds one of “Yellow Submarine” animations and this eventually develops to fractals and more modern style psychedelic imagery.
Has Ke$ha had a new psychedelic revelation or is this just another cash-hallucination on the way to stardom. Time will tell, but we will be hoping for more psychedelic videos from Ke$ha in the future.
You can find an interesting and more world-conspiracy style interpretation of Ke$ha’s video here.
Another psychedelic classic by Disney. In 1940 Fantasia introduced shimmering abstract figuration morphing to the pulse of music as a subject of public viewing. Synaethetics for the masses.
German raver parody about a drugged Goa-party goer who encounters a policeman. Just unbelievably funny.
An amateur rendering of the Chemical Brothers’ “Under the Influence”. I love the way it makes every day life scenes seem highly psychedelic.
“You are me and I am you, that’s the kind of stuff love can do”. This beautiful paean to the spaceship earth would have made Buckminster Fuller shine.
(Link: Ido Amin via Uri Baruchin. Thanks!)
Bjork reminds us what “they” want us to be, and what “we” should do.