A harsh, glitchy, low-poly mash-up about an infected digital bird glimpsing a coalescing future of nightmare scenarios for our species and environment.
A harsh, glitchy, low-poly mash-up about an infected digital bird glimpsing a coalescing future of nightmare scenarios for our species and environment.
An intrusion by night into the abode of chaos.
Filmed by 3 cameras, a thermal/ infrared (Mark III), a Go Pro 3+ and an intrusive drone – some intimate places of the building, the engine house, the cult room, and other secret places.
Film Maker: Julien Berrod
Scriptwriter: Thierry Ehrman
About the abode of chaos:
https://www.facebook.com/la.demeure.du.chaos.theabodeofchaos999
http://www.999demeureduchaos.org/chaos_about_us.html
Visuals are Johnathan Singer’s live manipulation of the artworks of Alex & Allyson Grey. Performed at The Chapel of Sacred Mirrors.
A beautifully warped meditation on Japan’s neon lights from artist Daniel Crooks. His Static Series is a slow-motion reflection of life’s movements.
(Picture linked to the video)
It was hard to believe. I searched the DPV a number of time before I could believe that we don’t have anything by Czech master Jan Svankmajer yet. For those of you who don’t know Svankmajer, a more significant introduction to the work of the Czech animator might be required than I can supply here, and you can find some information here on wikipedia.
Here I’ll just say that Svankmajer is a highly renowned animator and filmmaker whose work has been celebrated by the likes of Terry Gilliam and Milos Forman ever since the 1980s. These two short movies, “Dimensions of Dialogue” and “Tma, Svetlo, Tma” should serve as a decent introduction to his highly surrealistic world.
Enchanting new video feedback work from artist Jay Bundy Johnson. The level of manual control on a tube camera to craft the generative iterations is quite remarkable here, so enjoy this bright psychedelic sun-circle!
Instant Cinema (1962/audio from 2007)
Cineblatz (1967)
Irresistible Attack (1995)
They are a tidal wave of delight.