dark and trippy rap by Yung Hurn alter ego K. Ronaldo. enjoy!
LuYang is an emerging Chinese artist who has also presented in the Chinese pavilion in last Venice Biennale. Her video, “LuYang Delusional Mandala” is really crazy, somewhat eerie and very weird video. It’s laden with ideas about neuroscience, death, theology the virtualization of the artist and many other themes. If I haven’t said it already, it’s extremely bizarre, but I recommend watching it. I think she’s on to something!
Vimeo Says:
“Étude is a conversation between an animator and a composer, that maps line, colour and texture visually and sonically”
Animation: Robert Duncan – robertduncan.me
Composer: Laren Polic – laren.bandcamp.com/album/to-beat-or-not-to-beat
Aired in 2014.
List of videos in this episode:
Your Highness by Max Hattler
Oolympacs by Johnny Woods
“Bim Bam Boom” excerpt from Forbidden Zone dir. Richard Elfman
Magic Ball Man by Maximilien Czech
Cody Jumps Skip by PixelWorkers
Music video for “I Didn’t Know That” by the Books
Frisbee God by Malcolm Sutherland
Ghillie Ball by Dave Hughes, Adam Stockett, and Alan Steadman
Data by Mark “Wolfshirt” Fingerhut
Citius, Altius, Fortius by Felix Deimann
Red Bull Winch Sessions footage courtesy of Red Bull Media House North America
ASIF is the annual sum-up screening of Israeli animation, initiated and organized by Asifa Israel since 2000. It is now a competitive event, organized by the Animix, the caricature, comics and animation festival, which takes place every August in the Tel Aviv Cinematheque.
Directed and animated by Ori Toor
Music by Tali Ben Itzhak
You can find an earlier Oracles video right here.
Never have I seen fractals so clearly and impressively impressed as here. A must see video. By Chillheimer.
Below is an excerpt from a Fader magazine article discussing the video:
“When I produced the track I pictured DOOM as a bunch of different Marvel characters,” Keith told The FADER over email. “Like two super heroic distinctive rappers with powers.” The clip’s director Kris Merc added a description of the video’s concept: “I wanted to capture something that felt like a visual pop travesty. I wanted it to visually speak to the legacy of the artists, and Afrofuturism mixed with comic book concepts. I’m a fan of the unseen, and I was obsessed with the idea of using DOOM’s mask and the iconography as a centralized point — as if time and space converged around these strange, sometimes magical tableaus and we were witnessing an ascension.”