This video for the House band Acid Washes was designed by graphic artist Anthony Burrill.
It’s the combination of extreme simplicity, full abstraction and bright colors that got this wonderful artist to a blog that deals with psychedelic aesthetics, but I love his work regardless of that.
Aleksandr Petrov art directed this animated adaption of a Dr. Seuss poem for the Yekaterinburg-based Sverdlovsk Film Studio. Petrov later won the Oscar for Best Animated Short Film for The Old Man and the Sea (1999).
This colorful trip was created by Argentinian artists Matias Vigliano and Dante Zaballa.
I recommend looking into to Vigliano‘s website, to see his beautiful illustrations.
Kristof Luyckx – yet another crazy-ass graphic designer – made this music video telling the story of a bird tripping on some kind of a psychoactive berry.
Warning: parts of the video show hardcore unicorn sex.
Oh, I just love the work of Japanese psychedelic pop artist/designer Tadanori Yokoo. It’s not really surprising to find out he also did some animation, but still, it made my day.
Pink Floyd’s the Wall is arguably one of the most intriguing and imaginative albums in the history of rock music. Since its release in 1979, and the subsequent movie of 1982, the Wall has become synonymous with, if not the very definition of, the term “concept album.” Aureally explosive on record and visually explosive on the screen, the Wall traces the life of the fictional protagoinst, Pink Floyd, from his boyhood days in war-torn England to his self-imposed isolation as a world-renownedrock star, leading to a climax that is as questionably cathartic as it is destructive.
The animation I’ve embedded is one of his least disturbing, Life is Flashing Before Your Eyes (1984). Now, you should be aware these are some heavy mindfuck material, especially Malice in Wonderland.
Quotes: “Malice in Wonderland is the only video on Youtube that actually scared me. Thank you.”
“your malice vid has scarred me for life man”
Vince has his own Youtube channel, but is not producing the time-consuming hand drawn stuff anymore, because this isn’t the 1970s, when there was grant money flying around for artists like him.
Frank Zappa’s 1971 feature film (93 minutes, directed with Tony Palmer) is not for the week at heart: it’s super intensive, slapstick psychedelia with a hardly noticeable plot line to follow – something about a band on an endless crazy tour. Zappa fans love it, to judge from imdb message boards, while the rest render it “unwatchable”; still no one claims to understand it.
200 motels features The Mothers Of Invention (Zappa himself plays a side role as a musician in the band), animation by Charles Swenson, Kieth Moon in drag as a Nun, and Ringo Star as Larry The Dwarf, who pretends to be Frank Zappa.