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Lest Ye Become a Monster

27 Dec

Nearly everyone I’ve shown this video has said they wished they understood the lyrics. I haven’t been able to find the article for some time, but I remember years ago reading an interview in which the artist said that the video was supposed to be about people’s tendency to shape their identities according to their profession, trying to make themselves more closely resemble some kind of ideal prototype of a master of this occupation. If there are any Russian-speakers out there, maybe you can confirm or refute this?

Regardless of the meaning, there is something I find oh so visually satisfying in the marching sequence and the clay homunculus that accompanies each profession. The rap might be a bit abrasive, but now that this one’s a staple of my collection, I always find myself trying to mumble along despite not speaking a word of Russian.

And if you dig the featured artist, maybe search our archives for Lyapis Trubetskoy…

(Thank you, Warren, for showing me this years ago.)

A unified approach to grown structures

25 Dec

 

Beautiful natural forms created by a computational growth process.
Check out the 3D printed wearable forms here.

Carried Away (Alan Pakarnyk & Vonnie Von Helmolt, 1985)

23 Dec

An animated trip in nature with excellent execution!

GIF-JAM 2014

19 Dec

Breakaway – The Crashers and the Snappers

16 Dec

Handdrawn visions by Minneapolitan Matt Semke.

“4 Givings” Colin Barton

13 Dec

Los Angeles Filmmaker and very groovy friend Colin Barton takes us on a highly textured psychedelic journey using cameraless direct on film animation techniques.

Colin says:

Based on multiples of fours, ‘4 Givings’ moves through the cycle of the day with the central theme of forgiveness, release, renewal, and acceptance. Following an alchemical motif, earth, wind, fire, and water recur and are  represented by archetypes and abstractions.

Animated on fours, this all 35mm direct on film animation was composited in After Effects.

MOGWAI: TEENAGE EXORCISTS

12 Dec

Into the colorflow

10 Dec

Three processes interact to make this animation. A spontaneous differentiation due to a multi-scale Turing instability causes the development of dots and lines of various colors. Each color is also a movement, leading to a compressible flow which smears and obliterates the dots and lines. The third process is an overall exponential growth or inflation. Small structures expand, and the Turing instability causes sub-structures to form.

By Jonathan McCabe

Alter Bridge – Cry Of Achilles (Animation by Micah Buzan)

9 Dec

This was an entry to a music video competition, but unfortunately wasn’t picked by the band.

“Sausage City” by Adam Beckett

6 Dec

The first time I saw an Adam Beckett film, I believe it was “Flesh Flows”, my skin went all  goosebumpy and my head felt like it had detached from my body.  His work is truly psychoactive media. Consisting of hand drawn animated “infinite” loops shot on film and manipulated on the optical printer (this is pre-digital), his films take the viewer on a hypnotic journey into a world of slippery forms and shifting time. Adam Beckett was an experimental animation student at the California Institute of Arts in the early 1970’s. His untimely death at the age of 29 prematurely interrupted a prolific career. Legend has it that Beckett lived in the CalArts Optical Printer room for weeks on end and some say that his ghost still resides there. I hope you enjoy this rare experience.

https://vimeo.com/113578827?utm_source=email&utm_medium=clip-transcode_complete-finished-20120100&utm_campaign=7701&email_id=Y2xpcF90cmFuc2NvZGVkfDczZjZlMDU0ZWMzNDE3MzIwNDc0OGRiZjM2ZmM0MDQzODc0fDM1MDk4NzIyfDE0MTc2Nzc5MDV8NzcwMQ%3D%3D

If you want to see more of Adam Beckett’s work, there is a DVD of beautifully restored films available from the Iota Center. 

http://iotacenter.org/store/videos/beckett_dvd