Rick and Morty meet Kendrick Lamar in this awesome mashup.
Killer Mike – “Reagan”
20 MarA hyper-political R.A.P. Music track by hyper-political rapper, Killer Mike
Im not the type to get too deep about most things, especially politics, but Killer Mike brings a different type of rap via a psychedelic hyper-political music video which really brings light to why things are so difficult for some. To how the American system got so messed. Ironic considering Reagan helped America dig itself out of its economic problem, which ultimately lead to the start of “Reagan era” and its future ramifications.
A wise man once told me “politics will always be politics.”
Run the Jewels – “Lie, Cheat, Steal”
5 MarFound this video while searching for a song by the same name my friend told me about. Sadly i never found the song my friend played but ended up finding this trippy video, so i guess enjoy for this monday!
I love how coincidences work like that sometimes.
Borgore – “Magic Trick”
6 Feb
EDM Soundcloud producer Borgore teams up with Juicy J to bring you “Magic Trick”
The psychedelic visuals were created by: Ruff Mercy and Patch D Keyes
LOCO HOT Feat. A-WA: I’m A Tribe (Official Video)
21 DecLoco Hot and A-Wa new video mixes yemenite music with electronic beats and the impeccable Gilad Kahana. Priceless.
Samiyam – “Mirror”
19 Dec“Mirror” from the album “Animals Have Feelings” by Samiyam Ft. Earl Sweatshirt. Video by Ruff Mercy.
“SuperHero”-music video for Kool Keith X MF Doom, directed by Kris Merc
21 OctBelow is an excerpt from a Fader magazine article discussing the video:
“When I produced the track I pictured DOOM as a bunch of different Marvel characters,” Keith told The FADER over email. “Like two super heroic distinctive rappers with powers.” The clip’s director Kris Merc added a description of the video’s concept: “I wanted to capture something that felt like a visual pop travesty. I wanted it to visually speak to the legacy of the artists, and Afrofuturism mixed with comic book concepts. I’m a fan of the unseen, and I was obsessed with the idea of using DOOM’s mask and the iconography as a centralized point — as if time and space converged around these strange, sometimes magical tableaus and we were witnessing an ascension.”













