From Nothing to Something

7 Feb

Truly inspiring motion design, inside and out!

David Hasellhoff on acid

6 Feb

When David Hasellhoff takes acid you want to pay attention.

sun / dimension

5 Feb

»respektive Hila Flashkes«
A mini-retrospective – part I

Hila Flashkes is ‭an Israeli multidisciplinary artist, a puppeteer, performer, stage designer, graphic artist, animator, video artist, polyart.

The Imaginary by Claudia Cumbie-Jones and Lance Ford Jones

4 Feb

The beauty of the analog signal, and its inherent wildness and unpredictability, is the inspiration for “The Imaginary”. Formed from repurposed analog video and audio signal processing, and channeled through After Effects using Trapcode, “The Imaginary” creates an immersive structure that contains the spontaneous stream of imaginary thought.

Igorrr – Very Noise (video: MeatDept.)

3 Feb

Lankum – The Wild Rover

2 Feb

Bojack Horseman – Tell Me It’s Not Too Late

1 Feb

Aren’t You Coming With Us? A Sieg Mattel x Angus Long Collab

31 Jan

Now that’s a nice breakthrough experience! Check out these artists

facebook.com/algaartworks/

Suit video demo – Control Freak

30 Jan

Israeli performance artist demonstrates the ability of his insane control suit.

Endless Sandwich

29 Jan

If you care anything for new-media art, do yourself a favor and go see the Weibel retrospective at ZKM which is on until 2020-03-08, as well as the historical new-media collection. For me it has been a humbling, awe-filling and possibly artistic-life-changing experience. By the way, everything you ever did or thought of doing or will do,  was already done in the seventies. More on this to come.

“Between TV and viewer there is a function, i.e.: The user switches the device on and off. This function is illustrated and content of the program. A “sandwich”- character of real process and figure process, of reflection and action. In the screen there are viewers seen sitting in front of their TV. In the last picture a disturbance occurs, so that the viewer who watches this scene has to get up, in order to repair the failure. Thus the screen of the next viewer is disturbed. The disturbance reproduces itself, up to the real TV set, so that the real viewer must rise the same way, in order to remove the disturbance. Time delay: The real action is the final point of the reproduced process.” [Peter Weibel]