Kozak noman laboratoratory meets Quetzacoalt part 1
La sierpente me dijo que viniera aquí
I am beyond all forms and denominations, the secret of the unity and duality, infinite replication
Kozak noman laboratoratory meets Quetzacoalt part 1
La sierpente me dijo que viniera aquí
I am beyond all forms and denominations, the secret of the unity and duality, infinite replication
Using different juggling, dance and object manipulation technics, a software (e-motion, self developed), Adrien Mondot and collaborators create incredible shows with amazing real vs. virtual interactions !
Founded in 2004, the company AdrienM has set its goal to research the art of movement using juggling and digital art as a medium to explore the imaginary.
After 3 seasons at the Manege in Reims, during which two shows were created: “Convergences 1.0 ” in 2005 – a peculiar dreamlike exploration of juggling – and ” Retime” in 2008 which deconstructs the temporal phases of juggling , the company is presently in residence at the Hexagone, a national theater based in Meylan (Isere).
This is where, in January 2010, it opened its newest creation: “Cinematique” the 2009 grand prize winner at the “Bains Numeriques” festival of Enghien-les-Bains. Besides its continued work in the world of the stage through wokshops, the company also created a modular exhibit (XYZT) which opened at the Espace Jean-Legendre in Compiegne in April 2010.
For more video of A. Mondot company, visit: http://www.adrienm.net/videos/index.html
The audience was asked to deliver us some images in a shared map over the network, which we mixed live on the music.
Software: Photoshop (for placing the images live in a individual mask-grid system), Quartz Composer & VDMX5
Hardware: a bunch of midi-controllers, 4 macbooks, 1 beamer and a Camcorder.
// song: Huoratron-Corporate Occult
// Thank you Vade & Bangnoise
A classic of psychedelia. Jerry Abrams’s “Eyetoon” is an 8 minute short film, a kleidoscopic torrent of partly disturbing images, myterious shadows and “lysergic sex” made by one of the pioneers of the psychedelic film culture of the sixties.
The German voice which presents the clip in the beginning informs that “at the time, a critic called the film ‘a perfect synthesis of metaphysical, spiritual and sexual feelings'”.
(Link: Rea. Thanks!)
As a vjay and juggler (beginner), I particularly was impressed by this work…
hope you’ll enjoy it !
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everyoneishappy.com
This is a collaboration with Jay Latour from France. This is really only the start of an investigations with combining object manipulations and projections, pleasantly surprised with the results though!
Object Manipulation: Jay Latour
Programing & Music: Kyle McLean
Software: VVVV, Ableton, Reason
The Amiga 500 was my very first computer system. It used DD floppy disks with 880 kb storage space. On those less than 1 mb disks you had games like elite and frontier: elite II that allowed almost limitless exploration of a virtual space literally bursting with solar systems.
But with the copies of those games came something else that challenged the notion of space maybe even more. The teams that “cracked” the copy-protection of those games often attached so-called demos to the code that was run from the disks. So before the game would load you would see – just like a little intro – demonstrations of crazy coding skills in the form of often mind-blowing animation, flickering images and pulsing color.
Those demos were at a most a few kb of code generating ever-changing images in real-time. Usually what you saw was far beyond the things you thought were possible within the technical limitations of your system. Typically some more or less abstract and alien imagery was rotating in front of your eyes, bursting into millions of colorful pieces, turning itself inside out into something totally different, dancing in fluid animation or travelling into impossible depth of space.
Somehow the dense economy of the code resulted in aesthetics and images not unlike the things you see under the influence of psychedelic substances (of course psychedelic substances were not unknown among the members of the demo scene). So, what does math and geometry have to do with psychedelic aesthetics?
An Excerpt from my ongoing experiments with fractal imagery and sacred geometric visualizations. This video infuses thematic imagery of flight and transcendence with moving mandalas I designed in After Effects. Music by Ambientium.
Visuals Created and Mixed by Elijah Parker
“Always Something Better” by Trentemoller
Since tomorrow is already new year’s eve, I will use this oportunity to wish a happy new year to all our psychedelic readers around the world. May you have a great psychedelic year!
// Estudo technofagico – orange frac // pozzitrev
Visual feedback variation…