Now that’s a nice breakthrough experience! Check out these artists
Endless Sandwich
29 JanIf you care anything for new-media art, do yourself a favor and go see the Weibel retrospective at ZKM which is on until 2020-03-08, as well as the historical new-media collection. For me it has been a humbling, awe-filling and possibly artistic-life-changing experience. By the way, everything you ever did or thought of doing or will do, was already done in the seventies. More on this to come.
“Between TV and viewer there is a function, i.e.: The user switches the device on and off. This function is illustrated and content of the program. A “sandwich”- character of real process and figure process, of reflection and action. In the screen there are viewers seen sitting in front of their TV. In the last picture a disturbance occurs, so that the viewer who watches this scene has to get up, in order to repair the failure. Thus the screen of the next viewer is disturbed. The disturbance reproduces itself, up to the real TV set, so that the real viewer must rise the same way, in order to remove the disturbance. Time delay: The real action is the final point of the reproduced process.” [Peter Weibel]
Waiting for something special
22 JanI attended Stuttgarter Filmwinter festival this week, where I exhibited my work Pictures of Jap Girls in Synthesis. I was fortunate to meet Animation-Avantgarde-Programmer Thomas Renoldner who participated with his Annie Award (animation “Oscars”) nominated short film DONT KNOW WHAT. He is also a curator of several Austrian and international film events, including the Animation Avantgrade program at the Vienna Shorts film festival (submissions due Jan. 31). As you know, I like to dig out the old stuff:
The Other Side – Thomas Blanchard
16 JanAn hypnotic new video by the master Thomas Blanchard. No FX, just ink and paintings.
邪道的な道具の使い方/アイデアの組み合わせ
15 JanTakayuki Watanabe aka Kitasenju Design created MEISAI, a body camouflage AR app for iPhone. Music by Rival Consoles. Put together by Gone West.
11B-X-1371
8 JanIs it important for you that your art is understood? What value holds an artwork of cryptic aspects with their meaning missed by most of its audience, which only perceive the Peshat and do not seek the Remez, the Derash, and the Sod? Steganography is the practice of hiding messages in the form of a manipulation of open media. On the steganographic spectrum, an artwork can have accessible aesthetic value together with a hidden message its existence known only to the creator, or it can constitute an encrypted message in its whole lacking immediate value to the spectator, but a hint to the existence of the encryption itself. If you plan to be in the vicinity of Tel-Aviv in February-March, I hear that encrypted deep within the new-media opportunities newsletter HaShot! is a residency open call on this theme. One source of inspiration is the bio-terror-level plague-doctor-chic YOUAREALREADYDEAD KILLTHEPRESIDENT conspiracy theory viral video 11B-X-1371:
You may also want to check out Unfavorable Semicircle.













