PC demo, 1st place at Ghetto Scene 2014. Original file.
The 80s are an interesting period for psychedelic aesthetics. Hippies were declared outdated by punk rock in the 70s and after that psychedelic aesthetics had to blend with the images of the time to stay relevant. And they did — with great success. A lot of the visual tropes of psychedelic aesthetics had already established themselves in visual culture. Straight lines and plain surfaces now cooled down the arabesque imagination of the 60s, yet still shapes constantly morphed into each other and lines began dancing out of nowhere. What used to be associated with the influence of mind altering substances now got linked to limitless possibilities of new technology and media.
Fresh frames from Yoshihide Sodeoka’s latest music video by Spain’s Cachopou. Bring on the distortion balls!
A visualisation of what’s happening inside the mind of an artificial neural network.
In non-technical speak:
An artificial neural network can be thought of as analogous to a brain (immensely, immensely, immensely simplified. nothing like a brain really). It consists of layers of neurons and connections between neurons. Information is stored in this network as ‘weights’ (strengths) of connections between neurons. Low layers (i.e. closer to the input, e.g. ‘eyes’) store (and recognise) low level abstract features (corners, edges, orientations etc.) and higher layers store (and recognise) higher level features. This is analogous to how information is stored in the mammalian cerebral cortex (e.g. our brain).
Here a neural network has been ‘trained’ on millions of images – i.e. the images have been fed into the network, and the network has ‘learnt’ about them (establishes weights / strengths for each neuron).
Then when the network is fed a new unknown image (e.g. me), it tries to make sense of (i.e. recognise) this new image in context of what it already knows, i.e. what it’s already been trained on.
This can be thought of as asking the network “Based on what you’ve seen / what you know, what do you think this is?”, and is analogous to you recognising objects in clouds or ink / rorschach tests etc.
The effect is further exaggerated by encouraging the algorithm to generate an image of what it ‘thinks’ it is seeing, and feeding that image back into the input. Then it’s asked to reevaluate, creating a positive feedback loop, reinforcing the biased misinterpretation.
This is like asking you to draw what you think you see in the clouds, and then asking you to look at your drawing and draw what you think you are seeing in your drawing etc,
That last sentence was actually not fully accurate. It would be accurate, if instead of asking you to draw what you think you saw in the clouds, we scanned your brain, looked at a particular group of neurons, reconstructed an image based on the firing patterns of those neurons, based on the in-between representational states in your brain, and gave *that* image to you to look at. Then you would try to make sense of (i.e. recognise) *that* image, and the whole process will be repeated.
We aren’t actually asking the system what it thinks the image is, we’re extracting the image from somewhere inside the network. From any one of the layers. Since different layers store different levels of abstraction and detail, picking different layers to generate the ‘internal picture’ hi-lights different features.
All based on the google research by Alexander Mordvintsev, Software Engineer, Christopher Olah, Software Engineering Intern and Mike Tyka, Software Engineer
Andy Baker animated Hattie’s illustrations.
A fine Data-Mosh-Trip, ‘Metal Fence with Dry Leaves’ from Spanish video artist Mateo Amaral. Translates: “Jungle wind, ocean waves extending as much as they can reach the inner senses and much more too. A network is stirred by sounds of leaves, the network separates things. DMT circulating in the brain.”
A lost soul stumbles drunken through the city. In a park, Death finds him and shows him many things.
The original was not sexy enough, so Hattie had to add some improvements.
Streak past the ISS riding Aurora Australis and re-enter the anthropocene to these excellent Sci-Fi themed space and earth visuals, with some fractal and generative art to sooth us weary travelers from the outer limits.
[Mission Report:] Space-Koalas sighted near Hibernia-Major…